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Baltic Chamber Orchestra


This ensemble, made up of soloists of the St. Petersburg Philharmonic Orchestra, was formed by Emmanuel Leducq-Barome and Lev Klychkov early in the year 2000.

In 2001 the Baltic Chamber Orchestra and its musical director Emmanuel Leducq-Barome received the prestigious AFAA (Associiation Française d'Action Artistique) prize, which is awarded annually by the French Ministry of Foreign Affairs.

The ensemble has made many recordings that have been unanimously acclaimed by the international press.

Baltic Chamber Orchestra / Emmanuel Leducq-Baromé (Rubicon)
Honegger's Second Symphony, essenitally a war symphony, was given a huge boost when Hebert von Karajan recorded it back in 1969 for DG during one of those 'holiday' periods when he would take members of the Berlin Phil to St Moritz and record chamber-orchestra fare. His recording has never been out of the catalogue, but that's not to deny room for newcomers. The Baltic Chamber Orchestra (drawn from members of the St Petersburg Philharmonic) and their Russian-trained conductor, Emmanuel Leducq-Baromé, really get under the piece's skin and bring it vividly to life.

The Listening Room: Episode 72 - 25 May 2019

The Baltic Chamber Orchestra appears regularly at major venues in Russia and at many European festivals (France, Poland, Switzerland, Czech Republic, Sweden) with soloists of renown such as Natalia Gutman, Denis Matsuev, Pierre Amoyal, Regis Pasquier, Xavier de Maistre and many others.

Baltic Chamber Orchestra, Klychkov Lev

Klychkov Lev

Editor's choice, Gramophone Awards Issue, October 2017 ...

"Rarely have I been as moved by Strauss's 'Study for 23 solo strings' ... as I was when listening to this richly-textured recording by the Baltic Chamber Orchestra. Although the chosen tempos are comparatively broad, Emmanuel Leducq-Barôme keeps you on edge of your seat, principally by achieving maximum tension at the crest of each phrase ... Again the playing suggests maximum commitment."

Klychkov Lev photo: Maria Sprade

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Schoenberg and Honegger

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Shostakovich: Chamber Symphony, Op. 110a - Strauss: Metamorphosen for 23 Strings

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"This is the first time I have heard this conductor's work, and I very much hope it will not be the last."

"Emmanuel Leducq-Barôme and the fine Baltic Chamber Orchestra deliver the most compelling account of this score I have heard."

"... conductor and orchestra combine to give another outstandingly compelling performance, growing in intensity and emotional strength, the committed nature of which, throughout, places the music on an altogether higher level of accomplishment than many previous conductors have achieved."
Robert Matthew-Walker, Classical Source, October 2019
"Absorbing, passionately engaged playing from full strings."

"In short, it's the closest any recent exponents have come to rivalling the classic 1969 Karajan/Berlin Philharmonic account, and more vividly recorded too."
Matthew Rye, The STRAD, October 2019
"The concluding bars of the Honegger, with the Bach-like chorale melody intoned defiantly by the trumpet and first violins, sound particularly thrilling in this performance which packs a mighty punch in the earlier disorientating and frenzied energy of the Finale ... some very adept playing"
Erik Levi - BBC Music Magazine, September 2019
"... it's actually the beauteous luminosity of the sound - particularly towards the end - that affects the most and gets to the heart of the poetry."

"... Emmanuel Leducq-Barôme finds a special atmosphere in the slow middle movement."
Andrew Mellor,
"A terrific CD by an orchestra I thought I'd not heard of. It turns out that the Baltic Chamber Orchestra are a subgroup of the St Petersburg Philharmonic. This goes a long way toward explaining why, as listening to this, I kept noting how well they play. Strength and virtuosity are there in spades, add to that a lot of passion and what have you got? A brilliant chamber orchestra. The conductor too was a new name to me. Emmanuel Leducq-Barôme is student of Mariss Jansons, among others, and has been leading a successful career in Russia. Whilst admitting that an orchestra of this quality could probably play well without a conductor one detects the presence of a guiding hand in these two urgent and powerful performances. I can confidently suggest that even if you have other recordings of both these masterpieces you still ought to hear this one."
Dave Billinge, MusicWeb International